This is why we left that space empty so far. STEP 4 – After we inserted our progression, it’s now time to create that “bam-bam-bam” effect at the end of every 2 bars. Now, to create an ascending sequence, move 2 notes to G# and the rest of the notes to A#: In the last 2 bars, move the D# to F# so the bassline will continue the progression from the first 2 bars. STEP 3 – Duplicate these 2 bars so you’ll get a 4 bars clip. STEP 2 – Starting with the third D# move all the notes to F#: STEP 1 – Create a 2 bars long clip and insert 9 D# notes: The big thing here is the impact of the three notes just before the end of the second bar. The tempo is 121 BPM and the track is in the D# minor scale. Okay then, let’s start.Īs in EDX – Reckless Ardor, or as in Construction Kit 1 from our Deep House Maniac Pack: Also, if you have any questions or suggestions just get in touch with us at And a final note, don’t take this post too seriously. Just make sure to pay attention to the Ableton grid settings in the right corner of every image.
midi files, but there’s a greater chance of learning something from this post. We’ll show how to create not just the bassline pattern, but also how to write the entire midi sequence. Most of the bassline sounds are coming from the Massive and Sylenth1 VSTs.
We’ll use Ableton Live 9 as our workstation, but you can follow this with any DAW. So, whether you’re looking to learn some new tips and tricks or you just can’t find your inspiration for your next track, we hope this will be a useful read, but be aware, it is a long one! Hello producers, how’s it going? This post will attempt to identify 6 common bassline patterns, progressions and techniques used in Deep-House. From our Deep House Series: 5 Simple Deep House Production Tips 6 Deep House Chord Progression Tips for Beginners
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